Fooling And Disguise In Shakes Essay Research free essay sample

Fooling And Disguise In Shakes Essay, Research Paper Fooling and Disguise in Shakespeare s The Twelfth Night or What You Will The Twelfth Night, or What You Will was written by William Shakespeare during the 16th century. This drama is full of love affair, comedy, and particularly casual and camouflage. The act of fooling is seen through many characters of the drama such as, Viola, Olivia, Sir Toby, Sir Andrew, Maria, and of class Feste, the most of import and intelligent character of the drama. Shakespeare s, The Twelfth Night, or What You Will, portrays a great significance of fooling and camouflage through the chief characters. Viola is a great illustration of camouflage in the drama. Her boy camouflage is an emotional accelerator for everyone else in the drama. Acting as Cesario, Viola fools everyone. She is a fool caught between Orsino and Olivia. While she is falling in love with Orsino, she is courting Olivia as Cesario. We will write a custom essay sample on Fooling And Disguise In Shakes Essay Research or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page She is full of intelligence, humor, and appeal, which makes her a great sap. This is because the significance of a sap in this drama is an intelligent individual who brings consciousness to themselves and others. At the terminal of this drama, Viola does convey out consciousness in herself and others, such as Orsino. Olivia, the countess, is a great sap of the drama every bit good. She fools everyone in the narrative when at the beginning, she mourns for her dead brother, but by the terminal she is more concerned with her love for Cesario, a male camouflage for Viola. At the terminal, she realizes that she really in love with a adult female, disguised as a adult male, and so rapidly reverses her love to person she does non even cognize, Viola s duplicate brother. Sir Toby, Sir Andrew, and Maria are a great squad in the drama. Sir Toby is Olivia s uncle and his comrade is Sir Andrew. Maria is Olivia s retainer, a lady in waiting. These three are the saps and the cut-ups of the drama. Sir Toby keeps Sir Andrew around merely for his money, and in return, uses the money to acquire rummy. Sir Andrew is a foolish individual who does non recognize that he is being cheated by Sir Toby. Sir An Drew besides thinks that Olivia could really fall in love with him, a skinny, bald, and ugly adult male. Maria is a sort individual, but she besides takes portion in a foolish fast one. She writes a missive, feigning it is in Olivia s manus authorship, and workss it so that Malvolio finds. Malvolio, a flunky, now thinks that Olivia is in love with him. Malvolio, who is characterized as a Puritan, is the lone 1 who wills himself to be himself. He is merely an easy quarry for the three cut-ups, Sir Toby, Sir Andrew, and Maria. Feste, the buffoon of the drama, is the professional sap. He is an entertainer who brings consciousness to everyone around him. His cognition is seen through taking portion in games and masks and by moking the other characters. Feste woos the audience straight by bordering the action with vocals. He besides takes us into what is really go oning throughout the drama. Fooling, lunacy, camouflage, and misrepresentation are all seen throughout the drama. Feste is a buffoon, he entertains, but his occupation is besides to convey understanding to the characters he helps. He may be a sap, but he neer mistakes he personality with his occupation of gulling. It seems as if about every character in The Twelfth Night, or What You Will is a sap and as Feste says, Foolery, sir, does walk about the eyeball like the Sun / it shines everyplace ( III. 1. 37-38 ) . All of the characters of the drama are merely concerned with deriving something, such as love or money. Feste s battle is with retaining hi s mask, his folly. He is able to unveil the camouflages of the others and succeeds in retaining his ain camouflage. The Twelfth Night, or What You Will, portrays a great significance of fooling and camouflage through the chief characters. As said earlier, the word sap in this drama means an intelligent individual who brings consciousness to themselves and others. Almost every character of this drama takes portion in some sort of fooling or camouflage. The Twelfth Night, or What You Will is one of Shakespeare s best plants. Through fooling and camouflage, about every character works toward a end of find, fulfilment, and felicity.

Wave Particle Duality and How It Works

Wave Particle Duality and How It Works The wave-particle duality principle of quantum physics holds that matter and light exhibit the behaviors of both waves and particles, depending upon the circumstances of the experiment. It is a complex topic but among the most intriguing in physics.   Wave-Particle Duality in Light In the 1600s, Christiaan Huygens and Isaac Newton proposed competing theories for lights behavior. Huygens proposed a wave theory of light while Newtons was a corpuscular (particle) theory of light. Huygenss theory had some issues in matching observation and Newtons prestige helped lend support to his theory so, for over a century, Newtons theory was dominant. In the early nineteenth century, complications arose for the corpuscular theory of light. Diffraction had been observed, for one thing, which it had trouble adequately explaining. Thomas Youngs double slit experiment resulted in obvious wave behavior and seemed to firmly support the wave theory of light over Newtons particle theory. A wave generally has to propagate through a medium of some kind. The medium proposed by Huygens had been luminiferous aether (or in more common modern terminology, ether). When James Clerk Maxwell quantified a set of equations (called Maxwells laws or Maxwells equations) to explain electromagnetic radiation (including visible light) as the propagation of waves, he assumed just such an ether as the medium of propagation, and his predictions were consistent with experimental results. The problem with the wave theory was that no such ether had ever been found. Not only that, but astronomical observations in stellar aberration by James Bradley in 1720 had indicated that ether would have to be stationary relative to a moving Earth. Throughout the 1800s, attempts were made to detect the ether or its movement directly, culminating in the famous Michelson-Morley experiment. They all failed to actually detect the ether, resulting in a huge debate as the twentieth century began. Was light a wave or a particle? In 1905, Albert Einstein published his paper to explain the photoelectric effect, which proposed that light traveled as discrete bundles of energy. The energy contained within a photon was related to the frequency of the light. This theory came to be known as the photon theory of light (although the word photon wasnt coined until years later). With photons, the ether was no longer essential as a means of propagation, although it still left the odd paradox of why wave behavior was observed. Even more peculiar were the quantum variations of the double slit experiment and the Compton effect which seemed to confirm the particle interpretation. As experiments were performed and evidence accumulated, the implications quickly became clear and alarming: Light functions as both a particle and a wave, depending on how the experiment is conducted and when observations are made. Wave-Particle Duality in Matter The question of whether such duality also showed up in matter was tackled by the bold de Broglie hypothesis, which extended Einsteins work to relate the observed wavelength of matter to its momentum. Experiments confirmed the hypothesis in 1927, resulting in a 1929 Nobel Prize for de Broglie. Just like light, it seemed that matter exhibited both wave and particle properties under the right circumstances. Obviously, massive objects exhibit very small wavelengths, so small in fact that its rather pointless to think of them in a wave fashion. But for small objects, the wavelength can be observable and significant, as attested to by the double slit experiment with electrons. Significance of Wave-Particle Duality The major significance of the wave-particle duality is that all behavior of light and matter can be explained through the use of a differential equation which represents a wave function, generally in the form of the Schrodinger equation. This ability to describe reality in the form of waves is at the heart of quantum mechanics. The most common interpretation is that the wave function represents the probability of finding a given particle at a given point. These probability equations can diffract, interfere, and exhibit other wave-like properties, resulting in a final probabilistic wave function that exhibits these properties as well. Particles end up distributed according to the probability laws and therefore exhibit the wave properties. In other words, the probability of a particle being in any location is a wave, but the actual physical appearance of that particle is not. While the mathematics, though complicated, makes accurate predictions, the physical meaning of these equations are much harder to grasp. The attempt to explain what the wave-particle duality actually means is a key point of debate in quantum physics. Many interpretations exist to try to explain this, but they are all bound by the same set of wave equations... and, ultimately, must explain the same experimental observations. Edited by Anne Marie Helmenstine, Ph.D.